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November 6, Meyer, I. Bronzino — The Master of Mannerist Portraiture. Art in Context. Meyer, Isabella. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Discover the most famous artists, paintings, sculptors…in all of history! Discover the most famous artists, paintings, sculptors!

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Literature Toggle child menu Expand. Poetry Toggle child menu Expand. Photography Toggle child menu Expand. Before this commission, his style in the religious genre was less Mannerist, and was based in balanced compositions of the High Renaissance. Yet he became elegant and classicizing cf. Smyth in this fresco cycle, and his religious works are examples of the midth-century aesthetics of the Florentine court — traditionally interpreted as highly stylized and non-personal or emotive.

Crossing the Red Sea is typical of Bronzino's approach at this time, though it should not be claimed that Bronzino or the court was lacking in religious fervour on the basis of the preferred court fashion. Indeed, the duchess Eleanora was a generous patron to the recently founded Jesuit order. Bronzino's work tends to include sophisticated references to earlier painters, as in one of his last grand frescoes called The Martyrdom of St.

Lawrence San Lorenzo,in which almost every one of the extraordinarily contorted poses can be traced back to Raphael or to Michelangelowhom Bronzino idolized cf. Bronzino's skill with the nude was even more enigmatically deployed in the celebrated Venus, Cupid, Folly and Timewhich conveys strong feelings of eroticism under the pretext of a moralizing allegory.

His other major works include the design of a series of tapestries on The Story of Josephfor the Palazzo Vecchio. Many of Bronzino's works are still in Florence but other examples can be found in the National Gallery, Londonand elsewhere. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools.

Agnolo di cosimo medici boys

Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. Italian Mannerist painter — Not to be confused with Branzino. Portrait of Bronzino, c. In his earliest works, often produced in collaboration with Pontormo, Bronzino's style reconciles influences from his two masters. Intellectual dependence on the lateth-century style of Raffaellino prevented Bronzino from fully understanding the visionary imagination of Pontormo, and Bronzino's fresco St.

Benedict ca. After the siege of Florence in Bronzino fled to Urbino, but he was soon recalled to collaborate again with Pontormo on the frescoes for several Medici villas. Bronzino's contributions to the ceremonial decorations for the triumphal entry of Eleanor of Toledo into Florence in resulted in his appointment that year as official court painter to the grand duchy of Tuscany.

The autocratic, sophisticated atmosphere of Cosimo I's court, precisely reflected in Bronzino's formal and frigid portraits of the s, was already hinted at in the detached impersonality of the still-Pontormesque Ugolino Martelli ca. In Eleanor of Toledo and Her Son ca. Although his study of Michelangelo's Florentine works was evident in Bronzino's works of the s when he was forming his court style, later on Bronzino developed comparatively little within the general tendencies of painting under the repressive conditions of the Counter Reformationeven remaining apparently unaffected by such revolutionary works as Michelangelo's Last Judgment.

The academic, as opposed to imaginative, qualities of Bronzino's style, clearly dominant in the confused compositions and overdesigned figures of such late narrative works as the fresco Martyrdom of St. Lawrence in S. Lorenzo, Florence, brought him into sympathetic contact with such Florentine academic mannerists as Vasari and Francesco Salviati, who were, like Bronzino, prominent members of the Florentine Academy.

Bronzino died in Florence on Nov. The standard monograph on Bronzino is in Italian. Useful background material is in Giuliano Briganti, Italian Mannerism trans. Influenced, like many other artists of his generation, by MichelangeloBronzino is classed as a Mannerist. The refined and stylish artificiality associated with this label can be best appreciated in his 'Allegory'.

Bronzino is chiefly famous for his portraits, especially those of Cosimo de' Medicifirst Duke of Florencehis wife Eleonora da Toledo both in the Uffizi Gallery, Florencetheir children and members of their court. Bronzino's frescoes and other religious paintings are as stylish and carefully designed as his portraits. See for instance his 'Madonna and Child' in the Collection.

Paintings by Bronzino.