Erste begegnung robert schumann biography

Sinfonie in Es-Dur, die so genannte "Rheinische". Der 3. Der 4. Satz spiegelt seinen Eindruck von einer Zeremonie, die Schumann am Im ersten Jahr seines Anstaltsaufenthalts spielte Schumann noch manchmal Klavier, aber zunehmend holten ihn Wahnvorstellungen ein. Clara stattete Schumann erst kurz vor seinem Tod einen Besuch ab. Juli besuchte sie ihn, da verweigerte er schon die Essensaufnahme.

Insgesamt kann Schumanns Werk als Zentrum der deutschen musikalischen Hochromantik bezeichnet werden. Oper von Robert Schumann Auswahl -Genoveva op. Sinfonien von Robert Schumann Auswahl -Nr. Weltbekannt wurde die gemeinsam mit Bertolt Brecht geschaffene Dreigroschenoper von Standort: MDR. Then it went to Bayreuth, where he walked in the footsteps of Jean Paul, and to Munich, where he visited Heinrich Heine - later one of his favorite poets for creating songs.

But he was also included very often in convivial and wild student and fraternity, without losing a residual critical distance. A little later he took the decision to become musicians - pianist — to which his mother also affected by the vote of Wieck no longer opposed. Schumann goes back to Leipzig. He is already 20 years old and he wants to achieve his aim quickly - too quickly!

Due to excessive and improper practicing, he suffered from a paralysis of the right hand in spring The failure of his plan did not shock him, but rather makes him able to set free forces that enable the young musicians to study the masters and to produce new original compositions. For a short time he studied music theory course with the Leipzig opera conductor and composer Heinrich Dorn, but his imaginative creativity feels constricted and from now on Schumann acquired his knowledge in a self-taught way.

At the beginning of the s Schumann's first printed works Abegg Variations, Papillons, Toccata, interludes, Impromptus, etc. How should he, since he takes "as a composer He soared above the most of his contemporaries and was so far ahead of times that the knowledge of his great piano and song cycles was spread not before the second half of the century.

In the next ten years, the 24 year old Schumann also decided on his second occupation besoming music writer, editor and publisher, with which he expressed his dispositive paternal and also mercantile skills. His high literary education and his extraordinary poetic talent shaped the character of the "Neue Zeitschrift fur Musik", which he founded together with friends, and make him stand out from comparable magazines.

Another character trait is the constant work for the new, the promising future and concurrently the "loyal devotion to the obsolete" in music. In long term, the magazine becomes bothersome to Schumann and stops him in composing, which is the actual "productive activity". The following years until his marriage to Clara Wieck inare probably the erste begegnung robert schumann biography moving and important ones in Schumann's human and artistic development.

He continues the series of piano works with the three sonatas, the "Symphonic Etudes", "Kreisleriana" and "Novellettes". The friendship and love for the young talented artist Clara is exposed to increasing pressures by the resistance of her father. Wieck temporarily prevented any company of the loving and knew how to sow doubt. In desperate mood Schumann, who was as often in his life was liberating himself by work, wrote passionate rebellious Fantasy in C major.

In the summer ofhe renewed the promise to Clara, his wife to be, and both courageously overcame the ensuing heavy fights with Wieck. Schumann wanted to completely abandon his former sphere of influence: he went to Vienna for half a year to establish the magazine there, but was stopped by the Austrian censors. He wrote the "Faschingsschwank from Vienna" Carnival Scenes from Vienna a reminiscence of the banned in the Imperial and Royal Monarchy Marseillaise in waltz time in his register.

In Februarythe University of Jena venerated Schumann with an honorable diploma of the philosophical doctorate. Even before the favorable outcome of the lawsuit, Schumann felt new creative impulses. In fact, on 31 March at the Leipzig Gewandhaus his "Spring Symphony", one of the most played compositions by Schumann, was premiered under the conduction of Mendelssohn.

The same is true for the in finished oratory " Hallmark, The Genesis of S. Fischer-Dieskau, R. Cycles and Songs London, ; A. Gerstmeier, Die Lieder S. Jahrhunderts Tutzing, ; H. Fricker, Die musikkritischen Schriften R. Finson and R. Todd, eds. Otto, R. Borchard, R. Jahrhunderts Weinheim, ; D. Ostwald, S. Finson, R. Appel and I. Hermstriiwer, eds.

Marston, S. Mayeda, R. Gleiss, ed. Hoffmann-Axthelm, R. Todd, S. Leven-Keesen, R. Westphal, R. Heine, op. Herrmann, R. Frobenius et al. Hotaki, R. Cite this article Pick a style below, and copy the text for your bibliography. January 8, Retrieved January 08, from Encyclopedia. Then, copy and paste the text into your bibliography or works cited list.

Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia. The music of the German composer and critic Robert Alexander Schumann made a significant impact on the burgeoning romantic movement in its rhythmic novelty and harmonic and lyrical expressiveness.

Robert Schumann created no intrinsically new forms, but he infused them with a personal subjectivity and emotional intensity that transformed an inherited classical tradition into the quintessence of romantic experience.

Erste begegnung robert schumann biography

Much of his music is characterized by literary allusions and autobiographical references, which are "nothing more than delicate directions for performance and understanding" added to the music to indicate the composer's poetic intent. Yet he was not averse to experimenting with the contrapuntal devices of a J. Bach or the symphonic structures of a Beethoven.

He thus stands midway between the conservatives and ultraprogressives of the 19th century. Schumann was born at Zwickau on June 8,the youngest of the five children of Friedrich Schumann, a bookseller and publisher, and Johanna Schumann. Robert spent hours in his father's bookshop and developed a lifelong interest in German literatureespecially the works of Jean Paul RichterHeinrich Heineand Joseph von Eichendorff.

At 7 Robert went to a private school and studied piano with the local church organist, who introduced him to the works of C. By the time Robert was 9, he had begun his first efforts at composition. During his years in secondary school Schumann continued to practice the piano, often participating in concerts at the school and in the erste begegnung roberts schumann biography of eminent patrons.

By he had made such progress in improvisation and composition that his father tried to interest Carl Maria von Weber in becoming Robert's teacher, but Weber was on his way to England and nothing came of the attempt. The following year Schumann's sister, Emilie, committed suicide as the result of a mental disorder, and his father, also suffering from a nervous illness, died a few months later.

In Schumann began to study law at his mother's request at the University of Leipzig. After a short visit to Munich, where he met Heine, Schumann returned to his law studies in earnest. He continued his musical studies with Friedrich Wieck, an eminent piano teacher. At his teacher's home Schumann met Wieck's daughter Clara, already a remarkable pianist at the age of 9.

In Schumann moved to Heidelberg, ostensibly to continue his law studies but essentially to study composition and piano. He frequented the home of the law professor Anton Thibaut, a musical amateur who was instrumental in reviving an interest in the choral music of the Renaissance and the baroque. That summer Schumann went on holiday to Switzerland and Italy and wrote the first part of his Papillons for piano.

A concert by Niccolo Paganini in in Frankfurt was the decisive factor that turned Schumann permanently to music. After some stormy correspondence with his mother, she finally agreed to let him continue his studies with Wieck. He took up residence in the Wieck home and concentrated on developing into a virtuoso pianist. In his anxiety to make rapid progress he experimented with a sling device to strengthen his fingers; by irrevocably straining his right hand he ruined all chance of becoming a virtuoso.

He therefore decided to concentrate on his composition studies and worked with Heinrich Dorn, choirmaster at the Leipzig opera, under whom Schumann completed the second part of the Papillonsand an Allegro for piano. He also embarked on an intensive study of the music of J. Schumann edited this reforming journal untiland it became a model for music criticism.

In order to observe music from all points of view, Schumann invented three artistic characters: the stormy, impetuous Florestan; the gentle, lyrical Eusebius; and the arbiter between the two, Master Raro. In later years Schumann signed many of his own compositions with these appellations. His mother died in He stayed on in Leipzig with the Wiecks, fell in love with Clara, and, over the strong objections of her father, became engaged to her in Through the success of his journal, Schumann became an eminent voice in cultural matters and an artistic critic of European rank, more famous for his writings than for his compositions, which most musicians found too difficult to play.

On a visit to Vienna in to further the aims and influence of his journal, he made the sensational discovery of Franz Schubert 's C-Major Symphony, which Mendelssohn eventually performed. In February Schumann was honored by a doctorate from the University of Jena. Schumann married Clara, against her father's erste begegnung robert schumann biography, in September.

Seven children were born of this union. The ensuing years were a high point in Schumann's compositional activity. The next year he composed his Symphony No. A crisis of mental exhaustion followed on these productive years. A visit from Hector Berlioz inhowever, inspired Schumann to new activity, and he began his Paradise and the Peri for solo voices, chorus, and orchestra.

That same year Mendelssohn called him to teach composition at the newly founded Leipzig Conservatory. Inafter a reconciliation with Wieck, the Schumanns embarked on a successful concert tour of Russia. On their return to Leipzig, Schumann suffered a serious nervous breakdown which caused him to resign as editor of the Neue Zeitschrift. The Schumanns moved to Dresden in Decemberwhere they became acquainted with Richard Wagnerwhose stage technique Schumann admired more than his music.

He completed his opera Genoveva early in In Schumann's health improved dramatically, and he composed more than 20 works that year, including the Album for the Young, the incidental music to Lord Byron's Manfred, and a group of short works for various instruments. Times of great inspiration in composition alternated with profound periods of melancholy and despondency, often lasting weeks or even months.

His overall creativity began to lag so that one critic dared to write of him, "Schumann has worked his way down from genius to talent. His choir also began to grow more and more recalcitrant. Eventually Schumann was left to conduct his own works only, and all the other conducting was entrusted to the concertmaster. In Schumann's Symphony No.

The only bright spot in his life that year was a visit from Johannes Brahmswhom Schumann greatly admired and in whose behalf he wrote a laudatory article, "New Paths," for the Neue Zeitschrift. There was also a brief concert tour of Holland with his wife and a visit to Hanover, where Joseph Joachim conducted Schumann's Symphony No.

Schumann went completely berserk on Feb. He was rescued by some passing fishermen, and at his own request he was taken to an asylum in Endenich. Clara, aided by their loyal friend Brahms, did all that was possible to bolster Schumann's spirits but to no avail. He died on July 29, There is unfortunately no really good work on Schumann in English. Percy M.

Schumann, Robert Alexander gale. Learn more about citation styles Citation styles Encyclopedia. Schumann, Robert Alexander oxford. Schumann, Robert Alexander b Zwickau, ; d Endenich, Studied law at Leipzig and Heidelberg Univs. Jean-Paul Richter. In met Clara Wieck, to whose father Friedrich he went for pf. In permanently injured hand by device he had invented to keep 4th finger immobile while practising.

Was already contributing mus. Depressed by mus. In writings and comps. Married Clara Wieck after long opposition from her father, this being followed by outpouring of songs and song-cycles. In concentrated on syms. Taught comp. Toured Russia with Clara, On return had severe attack of depression. Moved to Dresden in search of quiet, living there until In Clara gave f.

The next year his mental health failed and he threw himself into Rhinebut was saved and taken to private asylum where he lived another 2 years. Schumann was one of the greatest composers for pf. His vocal and chamber mus. His songs, particularly his song-cycles, are among the glories of Lieder. His works contain many musical quotations and allusions and a number of his themes have been shown to be musical cryptograms.

Bach Robert Alexander Schumann gale. Robert Alexander Schumann The music of the German composer and critic Robert Alexander Schumann made a significant impact on the burgeoning romantic movement in its rhythmic novelty and harmonic and lyrical expressiveness.