Jean patou designer biography sample

Perfume: Joy, Obsession, Scandal, Sin : a cultural history of fragrance from to the present. Krause Publications. Financial Times. Retrieved 14 September The Perfume Handbook. New Perfume Handbook. September Archived from the original on 10 May Further reading [ edit ]. External links [ edit ]. Wikimedia Commons has media related to Jean Patou.

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Toggle the table of contents. His parents were in the leather tanning trade and he briefly worked in his father's tannery. Jeane Patou Fashion Designer — His sister Marie played a very high profile in his life, she was 7 years younger and the principle inspiration for his work. This did not continue but he went on to start a second dressmaking business called Mason Parry, at the Rond Point, Paris This was a Tailleurs and it sold dresses and furs.

In Jean Patou produced his own collection, but by August the war had begun. Interrupted he joined the Zovares regiment who were the precursors of the French Foreign Legion. Upon his return in — The House of Patou was opened, showing his first Couture collection. He expanded the industry by introducing sportswear and emphasizing accessories.

During his time with Jean Patou in the s, Christian Lacroix gave the brand a new life. Lacroix dared all the crossovers, unexpected combinations of colours, extravagant details such as the famous tafetta hand-painted toile de jouy cocktail dressand oriental inspirations reminiscent of those Jean Patou loved them at the time of his splendour.

The relaunch of the brand by Guillaume Henry. You can always subscribe to the Patou Letter to stay in touch with our latest news, as well as learn when we're shipping to your country. Your bag is currently empty. Continue shopping Have an account? Patou - Patou, the story of the Maison. The Story of the Maison A young house with a century-old history The Story of the Maison Jean Patou founded his eponymous house in Jean Patou, The most Elegant man in Europe!

Jean Patou, the Pionneer! Jean Patou is now Patou! It seems that you are browsing from. Sorry, we're not shipping to your country Prices in DZD and incl. VAT and import duties. Prices in EUR and incl. Prices in AUD and incl. GST and import duties. Prices in BHD and incl. Prices in BDT and incl. Prices in BRL and incl. Prices in BND and incl.

Jean patou designer biography sample

Prices in BGN and incl. Prices in CAD and incl. Prices in CNY and incl. Prices in CZK and incl. Prices in DKK and incl. Prices in HKD and incl. Prices in HUF and incl. The same year he introduced his "JP" monogram on his garments; he was the first fashion designer to exploit the cachet of a well-known name. He has also been credited as the originator of the triangular sports scarf worn knotted at one shoulder.

In Patou opened additional branches of his house at the fashionable French seaside resorts of Deauville and Biarritz to sell his ready-made sportswear and accessories. The following year he opened a specialized sportswear boutique called "le coin des sports" within his couture house. This boutique consisted of a suite of rooms, each devoted to a different sport, including aviation, yachting, tennis, golf, riding, and fishing.

Patou worked closely with the French textile manufacturers Bianchini-Ferrier and Rodier to develop functional sportswear fabrics. Patou's fashions always appealed to the American market, and he brought himself plentiful publicity through his regular contributions to News Enterprise Association N. To highlight the fact that his designs were as well suited to the "American Diana" as the "Parisian Venus," the couturier brought six American models to Paris in Chase, p.

Patou had placed an advertisement in which he advised aspiring applicants that they "must be. The French couture industry was fiercely nationalist, however, and Patou's action caused a furor. Patou's perfumes. Patou developed his first perfumes in collaboration with Raymond Barbas. In he introduced three fruit-floral fragrances—Amour Amour, Que sais-je?

Downstairs in his couture house he installed a cubist-style cocktail bar complete with a "bartender" who mixed special perfumes for his clients. The most famous of all, however, was Joywhich required 10, jasmine flowers and roses to make just one ounce of perfume, and which was promoted even during the Great Depression as the costliest fragrance in the world.

For spring—summer Patou presented knitted sweaters in bois-de-rose wool and jersey with wide and narrow horizontal stripes, and a two-piece costume in palest green whose matching kasha coat was lined in very faint mauve and collared with lynx. By winter Patou was anticipating the silhouettes of the s: his skirts were slightly fuller, there was an impression of length, and his garments were generally more body-conscious.

Vogue described as "ideal for days on the Riviera" a jean patou designer biography sample ensemble with a coat and skirt with godet of black asperic a lightweight wool and a sweater of gray jersey with tiny black diamonds. Edna Woolman Chase recalls an evening inwhen after staring across a room at a group of women clad in short dresses and suits designed by Chanel, Patou rushed to his workroom and started feverishly making frocks that swept the ground with natural waistelines.

Fashion usually evolved gradually in the s, so when one designer with international influence suddenly presented a new silhouette, it caused a sensation. Patou's sports costumes were worn four inches below the knee; woolen day dresses worn a little longer, and afternoon dresses a little longer still. Many items had lingerie details, and Patou's new color, "dark dahlia" a red so deep that it was almost blackoften replaced black for evening dresses.

Other designers immediately followed suit. Although Patou was to remain a leading couturier during the s, he was no longer an innovator. A long white evening dress with a print of huge pink and gray flowers for spring—summerfeaturing a striking diagonal cut and fabric that trailed over the shoulders and down across the bare back, was perfectly in tune with current fashion trends, but was not instantly identifiable as a Patou model.

Where the designer continued to make his mark was in sportswear. Vogue singled out the ensemble as perfect for summer life in the country, for tennis, boating, and spectator sports. In tune with the fashionable neoclassical styles of the mids, Patou presented asymmetric evening gowns in white romaine. For fall—winterdinner suits were important fashion news for semi-formal wear, and Patou offered them stylishly tailored, with one featuring a fantail.

Patou had been renowned for his dramatic openings and first-night parties, but his presentation of his spring—summer collection for was reported to be strictly businesslike.